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Shawna Morton Cain is a direct descendant of Alabama, Tennessee and Old Settler Cherokees forcibly removed to Indian
Territory in the early 1800’s. Residing in the old Flint District of the Cherokee Nation, Shawna
and her family have chosen to continue cultural traditions, especially those closely tied to the surrounding natural woodland
environment. Currently pursuing graduate studies in anthropology and ethnobiology, Shawna is able to study
Cherokee plant life and language within her tribal community where she relies on elders and traditionalists as repositories
of cultural practices, language and knowledge. Through basketry Shawna understands her identity as a Cherokee,
“When I am walking around the woods and creeks knowing that I come from people who walked these same places for the
same reasons, that’s when I feel right and who I really am as a Cherokee.”
Weaving since she was 10 years of age, Shawna continues to learn the “old ways” of basketry, implementing
traditional practices into contemporary basketry. Shawna began entering her baskets and weavings in professional
art shows in 1995 and has received numerous awards across the country. Awarded the title of “Living
Treasure” for her work in traditional basketry by the Cherokee Nation in 2006, Cain continues to represent the Cherokee
Nation as a master basket weaver and cultural plant specialist. Shawna is currently
working with Oklahoma Cherokees as a “Living Treasure”—traditional artisan, cultural resource liaison, educator
and advocate of ecological and environmental issues that directly concern the tribal government and local Cherokees. Her current
research focuses on the inclusion of the Native perspective as one that requires equivalent input and analyses from Native
and Western scholarship. Shawna’s familiarity and interaction with rural Cherokees and specific cultural
practices tied closely to native interaction with the land and environment has proven core to her interests in pursuing a
unique balance as a student of Cherokee culture. “I believe that my Native teachers from my own community
are just as integral to my graduate studies as my university teachers. Each provide me with a strong foundation
to better understand our people’s history, traditional knowledge systems and forms of expression.”
Her current research funded by the Ford Foundation, American Philosophical Society and the Environmental Protection
Agency involves studying the cultural practices and on-going interaction between rural Cherokees and their woodland environment
as well as the ecological and environmental impacts of modern society upon
indigenous peoples, specifically rurally isolated and marginalized Cherokees.
As a traditional Cherokee basket weaver, Shawna continues to teach basketry to youth and adults in her community and
across the country. Providing students with a hands-on experience of ancient basket weaving techniques,
she also teaches Cherokee history, values and traditions that are integral to the philosophy of utility and artistic expression
through basketry.
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Roger 1/2 Keetoowah Cherokee, practices traditional Cherokee utilitarian art forms like that of his maternal grand-father
and great-grand father. Born and raised in Tahlequah, Oklahoma, Roger continues to live in the Old Flint/Going Snake
Districts of the Cherokee Nation. Roger maintains traditions of his ancestors through producing cultural art and utilitarian
craft inspired by his Cherokee famly and elders.
"My mother, 4/4 Cherokee-Keetoowah,
always taught me to be proud to be Cherokee. I grew up Nighthawk Keetoowah stomp dancing and playing in the creek and
woods around my family's rural home places. I grew up with my grandma and grandpa always pointing out different
plants, trees and roots, telling me which one was used for sickness, to eat, or for a good dye. As I grow older and
recall the knowledge passed to me by my mother, grandparents and other Cherokee/Keetoowah elders, I realize what a gift I
received from them. After years and years of going to the woods and learning the art and methods of gathering and processing
natural materials as my grandparents and ancestors did, I have come to realize that Cherokee art and the land are interconnected
through artistic as well as utilitarian and spiritual uses. My goal as a Traditional Cherokee artist is to continue
to explore the ancestral technology and knowledge of the Cherokee culture and elders that came before, during and after contact
with the colonialists. I will continue to promote and perpetuate the practice of Cherokee beliefs and culture through art,
song, dance and spirit. "
--Roger Cain
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